In Ad vitam Aeternam, human and animal forms merge in scenes that are both familiar and uncanny. Drawing from footage of wildlife, these mixed-media illustrations and sculptures imagine a world in which the boundary between the human and the animal is not erased, but inverted and hybridized. Humans appear within natural settings not as intruders, but as echoes of the animals they mirror, bearing markings and gestures.
The work explores the deep continuity between species, proposing an eternal loop of mutual embodiment. The series is pushing the viewer to confront the animal within the human, treating the animal not as other, but as a mirrored double. This mirroring acts as both defense and desire, a yearning for return to a pre-verbal, instinctive state of wholeness and vitality. The transformation of human figures reflects an archetypal journey of dissolving ego boundaries in pursuit of symbolic immortality.
The cartoonish style of illustration serves as a softening mechanism, allowing entry into complex emotional terrain without resistance, inviting a multilayered reading of innocence, disguise, and metamorphosis.