In Zoroastrian texts, there is a prophecy describing a 12,000-year cycle, divided into four eras of 3,000 years each.
The first 3,000 years mark the Era of Creation, when Ahura Mazda shapes the world. The second 3,000 years are a paradise, life emerges in purity and goodness.
In the third era, Ahriman, the destructive force, the inevitable twin to Ahura Mazda’s creative power, strikes out of jealousy. He is defeated and lulled into a deep sleep for 3,000 years by the divine song of Ahura Mazda. While the earth is being prepared for its final stage, Ahriman’s forces gather strength in the depths.
The last 3,000 years bring Ahriman’s return. He moves freely across the earth, seducing, corrupting, and unmaking what is good. Yet every thousand years, a savior arises to push back the darkness.
At the end of this age, the final savior, Sōshyant, will appear, defeating Ahriman once and for all, reconciling the duality of good and evil, and restoring humanity’s immortality and divine purity.
In 2017, I encountered this narrative and made it the guiding theme for a series of experimental works using hand-printing techniques. Unconsciously, I found myself drawn to the imagery of Ahriman’s domain, depicting the villains rather than the heroes. Though the series remains incomplete, the work still bears a story worth telling.
"The innocent swim"
10*10 cm, aquatint etching print
"The Army of Divs"
48*22 cm, Linocut Print
"Jahi summoning the wolves"
10*15 cm, print, etching print
"Vicious Wolf, Hungry for human blood"
10*10 cm, drypoint print
"Serpents of death"
10*16 cm, aquatint etching print
"Under Spell"
10*10 cm, drypoint print
"Curse of Malkous"
20*30 cm, aquatint etching print
"Perished in cold"
24*13 cm, Linocut print
"Damavand under snow"
24*13 cm, linocut print
"Life Endures"
20*16 cm, etching print